Odd Hours (Odd Thomas #4) by Dean Koontz

This is the fourth book in the Odd series.  Odd left the monastery at the end of book three and headed off to the Coast with Frank Sinatra and his ghost dog Boo in tow.  When he gets there he gets the job of an in house chef for an reclusive actor from the 40's or 50's, his employer has a very small part and really adds nothing to the storyline.  In fact not many of the characters introduced add much to the storyline, every character is weirder than the last and I'm not sure what value they have other than that Koontz wanted to write about them.
The flow if this book wasn't as easy as the first one or even the second one, this book took me almost three times as long to get thorough just because I couldn't seem to get invested in the storyline.  And on top of that, every time I picked the book up I had forgotten what had gone on before, the story just didn't stick in my mind.
There is something happening, Odd saw it in a dream, but what oh what is it?  Man have we seen that storyline before, and it would be fine if he wants to keep up that premise, but that means there has to be a bit more development to Odd as a character, and he has turned out to be rather flat.  Oh so sad his girl is dead, oh so troubled that he sees dead people, his only ambition in life is to sell tires because it seems easy.  Really isn't it time for Odd to have some growth?  And in this book, I think Odd only saw one other dead person besides Frank Sinatra, whom he helped move on.  What famous singer will haunt Odd now?
I think Koontz tried to do something larger with the good vs. evil and Annemarie, but he just didn't make it.  It del choppy and incomplete.  There was too much vagueness, and what I assume Koontz thought was foreshadowing and not enough real story.  I think Koontz tried to hard, wanted to make what I assume started out as a fun story about a guy who sees dead people, into a larger, deeper story.  When he should have just stuck to a kooky book about a guy who sees ghosts, and left the deeper meaning of life to another storyline or another writer.